Purposefully Makeshift: Elizabeth Englander at a.Squire

"There is an intentional humour to the work. It pretends to do something badly, which draws attention, ultimately, to the absurdity of making art."

The Toe Rag, Issue 08, Review

Same as it ever was, ANNEX by The Koppel Project, Elephant & Castle, London

Same as it ever was is a group exhibition featuring the work of Malcolm Bradley, Lizzy Deacon, Tobias Gumbrill, Jess Heritage, Juliette Lena Hager and James Sibley. Taking its title from the refrain of Talking Heads’ ‘Once in a Lifetime’, the exhibition seeks to capture the uncanny sense of repetition that the song evokes. Letting the days go by (same as it ever was).

brave now: February

brave now is a monthly feature that highlights three artists selected by a guest curator. February is selected by curator and writer, Jean Watt.

brave projects

Between Los Angeles and Leeds

"Clifton and Hughes seem to be skirting around their own nameless cities, teasing at the idea of a defined place, stripping back any defining features that might comfortably locate the work. Instead, place is articulated through an uncertain, everyday discomfort."

SOUP, Exhibition text

Intense Passion, Royal George, Deptford, London

Ty Locke's installation coats the exterior windows of the Royal George in layers of lipstick, appearing for a month as part of A Place to Rest. Its title, Intense Passion, references the Poundland lipstick from which it is made.

Nº111: Jean Watt

The curator and writer on knitting, cemeteries, films, cities, and paintings.

God Save The Scene

After House: Rachel Whiteread and the Shifting Landscape of Public Art in Britain

"House sits at a critical juncture, marking a moment when contemporary public art could embody critique with the support of substantial funding, and as an early signal of the shift towards the part-privatised, corporately underwritten commissioning landscape that now dominates."

Henry Moore Institute, Talk

Portable Keyhole, Flexitron & St. Silas Church, Angel, London

Portable Keyhole is a duo exhibition featuring Faith Hughes and Michael Sandford at Flexitron. In collaboration with A Place to Rest, both artists have works placed within the grounds of St Silas Church, located opposite the gallery.

Walking out of the City

"Walking, as a process, is inherently an encounter with all of this – with tiredness and sore limbs, with uneven ground, with weather in all its forms. Staying with this discomfort, with its friction and resistance is a way of remaining critically open – continuing to move, walking towards what is yet to come."

Publiek Park 2025, Catalogue essay

And now I think about you all day long, Cirque, KASK, Ghent, Belgium

Michael Sandford's And now I think about you all day long is a video installation showing a live broadcast of the sky above the South Pacific Ocean, the antipodal point to Ghent. Presented in the historic surgical auditorium Cirque, the starry night turned to daybreak over the duration of the day.

For some time I've been standing, Kunsthal Gent, Ghent, Belgium

For some time I’ve been stan­ding is an exhi­bi­ti­on cura­ted by Cura­to­ri­al Stu­dies 2024 – 2025 par­ti­ci­pants that takes pla­ce at the Old Hou­se at Kunst­hal Gent. Brin­ging together works by Chu­pan Ata­s­hi, Manon de Boer, Michael Klei­ne, Bri­git­te Lou­ter, a work­shop by Emma Ydiers and a per­for­man­ce by Astrid Specht See­berg, the exhi­bi­ti­on sets out to tra­ce gestu­res of rehear­sal, repe­ti­ti­on, and return, explo­ring what it means to pau­se, to stand still, or to remain in motion.

Ebecho Muslimova: FATEBE SUNSET STORAGE

"Muslimova consistently uses Fatebe to refuse the body’s limitations and, with this, the formal boundaries of artworks."

artlead, 019 Billboard Series, Exhibition text

This is so, A Place to Rest, Brussels, Belgium

This is so is an installation by Veerle Melis situated in the back of a removals van between 12.00 and 16.00 CET on the 16th March 2025 at Rue Gabrielle Petit 6 1080, Molenbeek-Saint-Jean with A Place to Rest.

Eye becomes water, Het Paviljoen, Ghent, Belgium

Eye becomes water is an exhibition programme of four exhibitions presented in the historic hospital waiting room Het Paviljoen, featuring Sanie Irsay; Soraya Abdelhouaret & Shervin/e Sheikh Rezaei; Zeynep Kayan, Amel Omar & Reinier Vrancken; and Sacha Rey. Curated by Daphné Charitos, Natalija Gucheva, Abel Hartooni, Yasemin Köker, Temitayo Olalekan and Jean Watt.

A World Seen Through, 1M3, Kunstenbibliotheek, Ghent, Belgium

A World Seen Through is a guest curated artist book selection from Kunstenbibliotheek's collection presented in the 1M3 vitrine. Featuring Vedran Kopljar, Joseph Beuys, Liz Allan, Sophie Calle, René Heyvaert, Antje Peters and Sara MacKillop.

The House on the Corner: Parloir Tournai

"The sun comes out after five days of rain. Light streaks through bay windows onto parquet flooring, green skirting boards and marble fireplaces. It is Saturday and last night an empty house on the corner of a street in Tournai became host to an exhibition."

émergent, Review

Greenhouse, SET Woolwich, London

Greenhouse is a group exhibition curated by Ben Raz and Jean Watt at SET Woolwich, featuring work by Gillies Adamson Semple, Coco Crampton, Oscar Crabb, Kirin Crooks, Tarzan Kingofthejungle, Maya Levy, Natalya Marconini Falconer, Annie Metzger, Lucy Neish, Antonio Parker-Rees, Raphaella Pester, Enzo Randolfi, Ben Raz, Bo Sun and Emily Webb.

i want bells to peal, A Place to Rest, Brentford, London

i want bells to peal is an air-dry clay and mixed-media sculpture by Sophie Lourdes Knight situated in a parked 1981 Volkswagen Golf GTI in Brentford between 12.46 and 13.56 BST on the 4th July 2024.

Mayfly Listening Device, A Place to Rest, Barbican, London

Mayfly Listening Device is a mixed-media installation by Miriam Aston situated in a residential lift in John Trundle Court, Barbican between 14.35 and 15.28 GMT on the 29th March 2024. The lift moved up and down from the basement to the sixth floor throughout.

View from the Inside Out: Julie Becker's Los Angeles

"Researchers presented us with a mode of producing space for the self which not only emerged from internal struggle, but from the specific living conditions in Los Angeles in the 1990s and beyond. It reveals a precarious way of being, born from a city which was—and still is—unwelcoming to the survival of artists. And through this, it proposes an elastic understanding of space, where boundaries are both unnecessary and impossible, where the objective is simply to find a place to rest."

East of Borneo, Feature

As Rents Rise, Will Apartment Galleries Return to London?

"With private rental prices skyrocketing in London—up 5.5% in the last year, the steepest rise since records began in 2006—Final Hot Desert may be paving the way for the next wave."

Ocula, Article

For _ (Visit to Primrose Hill), A Place to Rest, Primrose Hill, London

For _ (Visit to Primrose Hill) is a plywood and chewing gum work by Jos Nyreen situated and left behind on the underneath of a bench on top of Primrose Hill at 08:20 GMT on the 7th December 2023. The journey up the hill was made together on foot from Chalk Farm underground station.

RIFTS, A Place to Rest, Ayrmer Cove, Devon

RIFTS is a light box sculpture by Christina Cushing situated on the shore between Wyscombe Beach and Ayrmer Cove between 18.55 and 20.25 BST on the 9th September 2023. The journey to the site was made by sea on the sailing boat KARESTA from Bigbury Beach.

some dust, A Place to Rest, Moabit, Berlin

some dust is a sound piece by Ali Glover situated in a construction site hole on the corner of Stromstraße and Turmstraße in Berlin between 20:30 and 23:00 CEST on the 24th August 2023. The journey to the site was made by Glover on foot from his apartment on Siemensstraße, just over 1km away.

fur lined fox holes, A Place to Rest, Joshua Tree, California

fur lined fox holes is an oil on tile painting by Faith Hughes situated on a noticeboard in the Desert View Conservation Area in Joshua Tree between 09:35 and 09:45 PDT on the 22nd June 2023. The journey to the site was made on foot, covering roughly 3km in just under an hour from Center Avenue to the Onaga Trail.