Purposefully Makeshift: Elizabeth Englander at a.Squire
"There is an intentional humour to the work. It pretends to do something badly, which draws attention, ultimately, to the absurdity of making art."
The Toe Rag, Issue 08, ReviewSame as it ever was, ANNEX by The Koppel Project, Elephant & Castle, London
brave now: February
brave now is a monthly feature that highlights three artists selected by a guest curator. February is selected by curator and writer, Jean Watt.
brave projectsBetween Los Angeles and Leeds
"Clifton and Hughes seem to be skirting around their own nameless cities, teasing at the idea of a defined place, stripping back any defining features that might comfortably locate the work. Instead, place is articulated through an uncertain, everyday discomfort."
SOUP, Exhibition textIntense Passion, Royal George, Deptford, London
Nº111: Jean Watt
The curator and writer on knitting, cemeteries, films, cities, and paintings.
God Save The SceneAfter House: Rachel Whiteread and the Shifting Landscape of Public Art in Britain
"House sits at a critical juncture, marking a moment when contemporary public art could embody critique with the support of substantial funding, and as an early signal of the shift towards the part-privatised, corporately underwritten commissioning landscape that now dominates."
Henry Moore Institute, TalkPortable Keyhole, Flexitron & St. Silas Church, Angel, London
Walking out of the City
"Walking, as a process, is inherently an encounter with all of this – with tiredness and sore limbs, with uneven ground, with weather in all its forms. Staying with this discomfort, with its friction and resistance is a way of remaining critically open – continuing to move, walking towards what is yet to come."
Publiek Park 2025, Catalogue essayAnd now I think about you all day long, Cirque, KASK, Ghent, Belgium
For some time I've been standing, Kunsthal Gent, Ghent, Belgium
Ebecho Muslimova: FATEBE SUNSET STORAGE
"Muslimova consistently uses Fatebe to refuse the body’s limitations and, with this, the formal boundaries of artworks."
artlead, 019 Billboard Series, Exhibition textThis is so, A Place to Rest, Brussels, Belgium
Eye becomes water, Het Paviljoen, Ghent, Belgium
A World Seen Through, 1M3, Kunstenbibliotheek, Ghent, Belgium
The House on the Corner: Parloir Tournai
"The sun comes out after five days of rain. Light streaks through bay windows onto parquet flooring, green skirting boards and marble fireplaces. It is Saturday and last night an empty house on the corner of a street in Tournai became host to an exhibition."
émergent, ReviewGreenhouse, SET Woolwich, London
i want bells to peal, A Place to Rest, Brentford, London
Mayfly Listening Device, A Place to Rest, Barbican, London
View from the Inside Out: Julie Becker's Los Angeles
"Researchers presented us with a mode of producing space for the self which not only emerged from internal struggle, but from the specific living conditions in Los Angeles in the 1990s and beyond. It reveals a precarious way of being, born from a city which was—and still is—unwelcoming to the survival of artists. And through this, it proposes an elastic understanding of space, where boundaries are both unnecessary and impossible, where the objective is simply to find a place to rest."
East of Borneo, FeatureAs Rents Rise, Will Apartment Galleries Return to London?
"With private rental prices skyrocketing in London—up 5.5% in the last year, the steepest rise since records began in 2006—Final Hot Desert may be paving the way for the next wave."
Ocula, Article